Description

Material: Akita Sugi (Japanese cedar), Jindai Sugi (lignified Japanese cedar) A decorative mirror that uses Japanese traditional kumiko woodcraft and was designed by a Frenchman. This wall-mounted type features a distinctive, abstract image like sparkling sunlight shining down. (Design: Nelson Fossey, Index Office)
About Nelson Fossey. Designer and interior architect. Since founding his studio, Index Office, in 2019, he has collaborated with various manufacturers, companies and institutions to design products that combine functionality, durability and timelessness.

Cautions regarding use:
・Care for the kumiko woodcraft by using a long-bristled brush or an air spray to remove dust.
・You may also wipe it with a dry cloth, or a tightly wrung damp cloth.
・Do not use wax or cleaning detergent.
・Avoid placing it in direct sunlight or wind from heating appliances.

Size: W 47 cm x H 93.5 cm x D 3 cm
Material: Akita Sugi (Japanese cedar), Jindai Sugi (lignified Japanese cedar)
Package Weight: approx.5kg
EDO-KUMIKO TATEMATSU
http://www.paw.hi-ho.ne.jp/kumiko-tatematsu/

Diverse craftsmanship utilizing the delicate art of kumiko

Beautiful geometric patterns such as hemp leaves and turtle shells emerging through the soft light of shoji screens. Kumiko fretwork is a traditional Japanese woodworking technique in which small pieces of wood are hand-crafted and fitted into various patterns without using a single nail. Kumiko evolved as a decorative technique for fixtures such as shoji screens and ranma (transoms), which emerged in Japan’s late Heian period (794–1185), developed over time, and truly blossomed in the Edo period (1603–1868). More than 200 types of patterns, including floral, snowflake, and other auspicious designs, have been handed down to the present day.
While it has inherited traditional techniques, Edo-Kumiko Tatematsu is also engaged in creating new products. The company’s founder, Matsuo Tanaka, taught himself the art of kumiko fretwork while training at a joinery shop, later launching his own business in 1982. Today, he and his son, Takahiro, the second generation of the Tanaka family to be involved in the company, continue to create this delicate fretwork, which does not rely on machines.
Production of delicate, intricate kumiko fretwork begins with selection of high-quality wood. The workshop mainly uses Kiso cypress, Akita cedar, and Aomori cypress, the three most renowned timbers in Japan. The wood is cut into thin strips, and then grooved, drilled, and tenoned before assembly. First, a large frame is formed by assembling a lattice or lozenge shapes, and then the smaller pieces of wood are fitted into each crosspiece to form the pattern. However, "Even a 0.1 mm error is not tolerated," says Tanaka. He regularly holds sales demonstrations at department stores throughout Japan, in the hope that people will learn more about the depth of this sophisticated craft.
With the recent decline in demand for traditional Japanese fittings, the company is keen to create products that meet the needs of the modern age. The company's diverse lineup of products, which include furniture such as tables and cabinets, small items such as flower vases and coasters, and paper-framed lamps, all of which make the most of the beauty of kumiko fretwork, are gaining recognition.
"We hope to continue introducing to Japan and to the rest of the world products useful in everyday life, while maintaining our traditions," says Tanaka.


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02-06-124-0425 In Stock
EDO-KUMIKO TATEMATSU