It had been common to refer to Kyoto as "Keishi" since ancient times. A picture of the distant view of the south of Kyoto from the Great Bridge at Sanjo, marking the end of the journey. Hiroshige captured the allure of Kyoto by depicting the elegant Great Bridge at Sanjo, graceful people, and the view extending to Higashiyama and Kiyomizu-dera Temple. The distant mountain range represents Mount Hiei, although there might be a slight discrepancy in terms of its actual direction.
Note: This product has been recognised as a Traditional Craft Product designated by the Minister of Economy, Trade and Industry and as a Tokyo Traditional Craft under the Edo Woodblock Prints brand.
The brand creates traditional multi-colour woodblock prints using techniques and methods that have remained unchanged since the Edo period.
Echizenkizukibousho paper is used.
Takahashi Kobo
https://takahashi-kobo.com/english/
Founded during the Ansei period (1854-1860), Takahashi Kobo has been making woodblock prints for approximately 160 years, since the Edo period (1603-1867). Originally working as Surishi (the artisans who colour the woodblocks and print the final image) on Edo woodblock prints, the Takahashi family began publishing prints after their fourth generation took over. "The work of woodblock printing is the root of Japanese printing. From temple school textbooks to ukiyo-e prints and wrapping paper, Japanese printing has always been supported by the technique of woodblock printing," says Yukiko Takahashi, the sixth generation of the Takahashi family.
During the Edo period, ukiyo-e prints served the purpose of informative magazines. For example, in the image of a beautiful woman, fashion trends of the time such as the design of the kimono and furniture, hairstyle, and hand fan, were all depicted in meticulous detail. The artistic value of ukiyo-e is such that it is now recognized globally.
Currently, Takahashi Kobo prints a wide variety of themes using woodblock, from traditional ukiyo-e to modern art. Furthermore, Takahashi produces merchandise sold at museum exhibitions and also holds lectures, demonstrations, and workshops by artisans at museums and schools. Such initiatives, which give new life to the culture of Edo woodblock prints by sharing and experiencing of the history and techniques associated them, have been highly popular and more and more offers have been coming from overseas recently, such as from Paris and London.
However, Takahashi says, "Ukiyo-e prints remain the base of woodblock prints. As we make use of this rich tradition and culture, I would like to use all five senses to capture current trends, embody them, and use them to produce works that suit contemporary lifestyles."
